It’s been nearly 30 years since Stephen Flaherty and Lynn Ahrens wrote the music and lyrics for the musical “Ragtime,” an American epic tracking the intertwining lives of three families in New York at the turn of the 20th century.
Staged at Lincoln Center’s Vivian Beaumont Theater, the musical is in its third run on Broadway — and earned 11 Tony nominations, including for best revival. It’s resonating the most with audiences this time, they said. “Three is the charm,” Ahrens said.
“When we originally did it on Broadway, which was 1998, I think a lot of people, if not most people, were thinking about this piece as a period piece,” Flaherty said. “I think now, people are responding to it as a contemporary story.”
Adapted from the 1975 novel by E.L. Doctorow, the show’s book is by the late playwright Terrence McNally. It depicts a wide swath of the American experience in New York at the turn of the 20th century, from Black Americans in Harlem to Jewish immigrants on the Lower East Side to the white upper-class residents of the suburbs of Westchester County.
The story that unfolds is fiction, but features historical figures like activist Emma Goldman, educator and leader Booker T. Washington, banker J.P. Morgan, auto founder Henry Ford and illusionist Harry Houdini. The show’s breadth — encompassing immense tragedy as well as great optimism — and the depth of the actors’ performances has been bringing Broadway audiences to their feet, often mid-act.
It also has people returning. “They’re like, ‘I’m coming back with my parents,’ ‘I’m coming back with my grandchildren,’ ‘I’m coming back with my grandparents,’ and it’s not even like they have to see it. They want to experience it with them,” said Brandon Uranowitz, who had his own return to the show, decades after he acted as a child in the pre-Broadway production.
Now, he’s nominated for best lead actor in a musical for playing the role of Tateh, a Jewish immigrant from Latvia. “I think it’s sort of speaking to this generational reckoning that we’re having with America and our national identity.”
‘Ragtime’ at the Tony Awards
The original production lost the best new musical Tony Award to “The Lion King,” but Ahrens and Flaherty took home the prize for best original score, McNally best book and William David Brohn best orchestrations in a competitive year. It also won Audra McDonald, the Tonys’ most decorated performer, her first award. A 2009 revival received six nominations, but lost best revival to “La Cage aux Folles.”
This could be the year it finally wins a best show award: “Ragtime” is a front-runner for best musical revival, against strong competition from “Cats: The Jellicle Ball” and “The Rocky Horror Show.” Among its other nods are nominations for all three leads, and for featured performers Nichelle Lewis and Ben Levi Ross.
Portraying a range of American experiences
Joshua Henry, nominated alongside his costar for best lead actor, plays Coalhouse Walker Jr., a celebrated Black pianist at the center of his community in Harlem. Caissie Levy, nominated for her role of Mother, is the matriarch of a wealthy white family in a suburb outside New York City.
