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Women battle misogyny to send hip-hop spinning in a new direction

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SHAR0N JOHNSON AND NARDOS HAILE

Rasheeda Frost’s decades-long relationship with hip-hop started in 1981. She was a curious, energetic kindergartener — eager to touch and explore anything put in front of her.

Rasheeda remembered her mother presenting her with a huge, white box — it was a record player that she would continuously spin, not knowing what its purpose was. Then, she said, her mom gave her a record with a colorful cornucopia printed in the middle: The Sugarhill Gang.

“She must’ve just known hip-hop was embedded in me at such a young age,” the MTV “Love and Hip-Hop: Atlanta” reality star said.

The then 5-year-old would dance until she couldn’t anymore. “I played that record until I tore it up and scratched up the record.”

Frost fell in love with hip-hop. Lyrics, music videos, and magazine covers display a genre that is male-centered and male-dominated. Despite this challenge, Frost

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