BY LESLIE AMBRIZ
Zahra Hankir opens “Eyeliner: A Cultural History” by marveling over her mother’s elegant beauty process as she delicately sweeps black kohl on her waterline, dreaming of displaying that same confidence one day.
For Hankir, eyeliner is more than just a cosmetic product. It provides protection and empowerment. It provides cultural connection. It exists beyond borders, gender roles and Western beauty standards. Lining one’s waterline or drawing a delicate black line across an eyelid is more than aesthetics. For many of the underrepresented groups and communities of color highlighted in Hankir’s book, applying the product is a ritual deeply rooted in spirituality, culture, identity and more. If self-care is an act of resistance, then eyeliner is a tool in the rebellion.
The Lebanese-British journalist seamlessly takes her readers on a global investigation of how the cosmetic product is used worldwide. Through intimate narratives with varied characters from different
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