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Milan’s Brera boosts its cultural cachet with an overdue modern art wing and Leonardo’s Last Supper

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By Colleen Barry

Milan’s Pinacoteca di Brera museum, conceived under Napoleon as a “little Louvre,” is finally getting a modern art addition first envisioned more than 50 years ago with the opening Sunday of Palazzo Citterio, home to one of the world’s most important collections of 20th century Italian art.

Completing the project long beset by shifting priorities, periods of neglect and most recently an ill-fated architectural vision was a priority for Brera director Angelo Crespi when he took over in January.

Italy’s then-culture minister set Dec. 7 — the feast day for Milan’s patron St. Ambrose — as the target opening date, giving Crespi just months to resolve structural issues and oversee the installation of hundreds of modern works of art donated to the Brera decades ago.

On deadline, the current culture minister, Alessandro Giuli, who inherited the project in September, inaugurated Palazzo Citterio on Saturday’s feast day, ahead of the public opening on

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