David Greaves was 26 when his father, the pioneering filmmaker William Greaves, asked him to be one of four cameramen documenting a historic gathering in Harlem.
In August 1972, William Greaves assembled as many artists, writers, poets, musicians and organizers from the Harlem Renaissance as he could. They came for a cocktail party at Duke Ellington’s Harlem townhouse. There, they talked about the seminal 1920s cultural movement: what they remembered, who not to forget, what it all meant.
“My father would say, ‘Capture the life that’s happening,’” David recalls.
It took more than half a century for the result to see the light of day. But 54 years after that gathering, “Once Upon a Time Harlem” screened this week at the Cannes Film Festival.
No movie in Cannes had a longer road to get here. William Greaves died in 2014 having never finished what he felt would be his most
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