IT must be a daunting prospect to pick up a franchise on the third movie. Add in the pressure of following filmmakers like Ryan Coogler and Steven Caple Jr. in your directorial debut that you’re also starring in and it’s enough to make you wonder what on earth Michael B. Jordan was thinking.
But “ Creed III,” in theaters nationwide Friday, is a new start for Adonis Creed. He’s finally out of the shadow of his father Apollo and Rocky Balboa, whose legacy loomed large over the first two films (Sylvester Stallone decided “Creed II” would be his last). With Rocky out of the way, and the younger Creed solidly in place as the best in the world, the franchise can breathe a little and grow.
Enter the Dame (not that kind of dame).
This one is in the form of Jonathan Majors, an old buddy from their teenage years in
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