THIS is the time of year when Hollywood’s awards-season-industrial complex usually shifts into high gear. It’s a frothy, festive run of the year’s final premieres and screenings — all part of a carefully orchestrated dance to court tastemakers and, ultimately, academy voters.
The movies may be finished — picture locked — but their Oscar fortunes are in flux right up until ballots are cast. And a glittering, glad-handing ecosystem of cocktails and Q&As works very hard to steer the conversation.
This year, with many under quarantine, theaters shuttered in Los Angeles and New York and, well, some more pressing concerns than who’s campaigning for best supporting actor, awards season is operating in a strange COVID-19 vacuum with only a whiff of the stuff it thrives on: buzz.
For Awards Daily founder Sasha Stone, who has been covering the Oscars since 2000, it’s like nothing she’s ever seen — an awards
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